Comus-Rout Blud And Piths, by Lust Rollers

Comus-Rout Blud And Piths

by Lust Rollers

supported by

	/

Compact Disc (CD) + Digital Album
Nearly an hours worth of sonic bliss, the new release by Lust Rollers returns to the collaging of live performance with found sounds used on the 2015 cassette release “The Poor Are Not Kind”. “Comus-rout, blud and piths” collides Aylesbury dog walking activities with the sounds of Tuscany bells and cicadas. Jazz guitar is obscured by primitive electronics. A live performance from Aylesbury Museum merges, with a crude jolt, into a pub gig with bar talk and audible mirth throughout. There is noise, there are quiet textures.

Includes unlimited streaming of Comus-Rout Blud And Piths via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

ships out within 3 days

edition of 50

£5 GBP or more
Streaming + Download

Includes high-quality download in MP3, FLAC and more. Paying supporters also get unlimited streaming via the free Bandcamp app.

Purchasable with gift card

name your price
Full Digital Discography

42

releases

Get all 42 Structured Disasters releases available on Bandcamp and save 50%.

Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Spanish Rhapsody For Guitar And Plunderphonics, One More Night Between Darkness And Light, Imagination comes in many forms, cake music, Let's Make Love Under The Stars, For The Present, The Starry Voluptuary Has Been Born, Imagination Comes In Many Forms EP, and 34 more. , and , .

Purchasable with gift card

£2 GBP or more (50% OFF)

1.	Rout 19:33	buy track
2.	Blud 19:30	buy track
3.	Piths 16:09	buy track

about

The new release by Lust Rollers returns to the collaging of live performance with found sounds used on the 2015 cassette release “The Poor Are Not Kind”. “Comus-rout, blud and piths” collides Aylesbury dog walking activities with the sounds of TuscanyCathedral bells and cicadas. Jazz guitar is obscured by primitive electronics. A live performance from Aylesbury Museum merges, with a crude jolt, into a pub gig with bar talk and audible mirth throughout. There is noise, there are quiet textures.

Charnia Rawsin – Born in an Oxfordshire village in 1890, to Dr and Mrs H Comus, Charnia spent most of her formative years cloistered in a series of dilapidated stately homes whilst her parents tried to escape criminal charges of child abduction and armed robbery. "I was named after a fossil plant. My name means lying fern or fern of artifice." She left this autobiographical remark on the peeling wall-paper of one of these houses where her parents Dionysian debaucheries were the order of things. Upon her escape, she could be found contributing a rough soprano saxophone sound to the Sid Basquet’s Warmfeet Stompers throughout the 1920s, a group infamous for its ground-breaking use of microtone tunings in a Jazz age of harmonic and melodic conformity. When asked about her formative musical education and studies, she referred to lengthy periods of seclusion in the Libraries of Alexandria and sojourns throughout the ancient world. She survived several assassinations and narrowly escaped pirates and desert robbers. "I own a gun, but I have never needed to fire it upon a victim. I have used the butt to disarm an assailant and have then ground the end of the barrel into the brains on many occasions. Blud and piths. I only ever killing in self-defence. I have been apprehended by and associated with some very bad people. It is the nature of the world that cannot be redeemed". She spent many years searching the world for the perfect natural acoustic for her small intimate group of wind-player and percussionist initiates. Success in this search meant a residency in a chapel or years of work modelling the rock within a natural cavern. New instruments were commissioned with sounds that never could be imagined outside these acoustic environments. Ornate sculptures with hollows for reeds or stretched strings. The group worked under many different names and shunning all publicity, there are no photographs of Charnia Rawsin. Anyone who heard the group remembered the overall ethereal effect, but was unable to describe the proceedings in any detail. No sense of time passing. One explorer who ran into her in Tibet in 1935 had the following description: “Walking barefoot and clothed in colourful robes a musicianer with a gold conical pipe crossed the altitude where the snow meets the rocks. The instrument held aloft resembled a straight saxophone but had none of the rods or pads that are usually visible from the outside of those instruments. No signs of feeling the bitter cold and it was apparent that the clothing comprised many layered undergarments wrapped around a body whose size could not be determined. When I came approached, I experienced the warm spice smell that this person exuded, and this left the most lasting impression upon me. I only heard the playing from afar. Although showing some level of wanting society, [she] was very secretive about the sound and methods, provided no explanation as to her presence in this far off land or where she was travelling. In perfect English she would reply “I would prefer not to say”. She departed in the direction by which she came, and we never met again, although I continued to ask after her where ever I travelled and often learned that she had passed through but always some time before hand. Always a step ahead.”

credits

released November 1, 2019

Charnia Rawsin - saxophone.
Mark Browne - percussion, guitar, cheap electronics, siren
Daniel J. Gregory - dog walking, snare abuse, whistles

license

about

Structured Disasters Aylesbury, UK

Formed in 2015 by Mark Browne, Daniel J. Gregory, Spinecakes and Aylwin.

Deviant Music For The Culturally Awkward.

Digital, CDR, Tape, Gigs

Recommendations

contact / help

Contact Structured Disasters

Streaming and
Download help

Redeem code

Report this album or account

Structured Disasters recommends:

Communal Gardens
by Lust Rollers/Carnivorous Plants

Live Lust Rollers track plus enveloping noise from Carnivorous Plants Structured Disasters
go to album
Just Take What's Needed
by Daniel J Gregory

Another twang and scrape from DJG Structured Disasters
go to album
NIO3
by Various

ANTIFASCIST NOISE!!!!!!! Structured Disasters
go to album

If you like Comus-Rout Blud And Piths, you may also like:

QUIVER
by CRAVUNE

supported by 10 fans who also own “Comus-Rout Blud And Piths”

noise concrete avec un beating pulse treadmill danse like polmo's octopus. Cage's Deli
go to album
XYZ
by Coppice

supported by 10 fans who also own “Comus-Rout Blud And Piths”

i can't explain my impression with words... but i can say this album is so great Sad Guitar
go to album
Delights Of My Life
by Eric Chenaux Trio

featured on Bandcamp Radio Apr 23, 2024
go to album

Bandcamp Daily your guide to the world of Bandcamp

On Bandcamp Radio

Saxophonist Isaiah Collier chats about his new LP and the influence of Pharoah Sanders.

listen now